CRIT1 Presentation Due date: 28 September

Upload CRIT1 to P2P before 22:00!

This is the first of a series of crit sessions in which the entire class convenes to view each other’s work and give feedback.

Graphic + Sonic Combo

For CRIT1, you should combine elements from FSA1 and FSA2 to make a graphic-sonic pairing. You are free to decided how to execute this combination, but your piece should be composed as a time-based media projection (max 3 min).

For compression settings in Adobe Premiere, see our Reference section.

Upload the assignment to P2P the night before the Crit Session no later than 10pm. On the day of the presentations, 3-4 assignments will be combined in a block and played in sequence. Instructors will lead this discussion making comments about both specific assignments and general observations. Whether physically present or only online, students should join the Kaltura Live Room to add additional comment in the chat.

Supervisory Group meeting 1 8 September 14-17h

Workshop RPA 1 and FSA1

During the first supervisory group meeting, you will be randomly assigned to an instructor while we consider your preferences and assess the most appropriate pairings. Once you’ve been assigned to a Supervisor, you will remain with that instructor for the rest of the year.

“Soup Groups” are primarily feedback sessions. Approximately half the time will be devoted to reviewing the Field Study Assignment and giving comments to help students hone their technical skills, methodological applications, and aesthetic sensibilities. The other half of the time will respond to the Research Proposal Assignments as an opportunity to exploring strategies for approaching specific research issues and consider common challenges faced by all students.

FSA 1 Peer Review Due date: 11 September

Peer reviews must be completed before 23:59!

Peer feedback should assess each of the parts according to these criteria:

  • Part 1: Mapping Observation
    • How well does the assignment translated the author’s research question into the outputs and features of the place included on the map?
    • Can you recognize a relation between the research question and the ethnographic details expressed in the map?
    • Does the map demonstrate attentive observation of the organization of space?
  • Part 2: Participatory Drawing
    • The drawing shows that the researcher made a clear effort to communicate with her/his subjects about the place and its related meaning.
    • The researcher has tried to understand the ‘mental map’ of the participant as shown in the details of the participatory map (e.g. daily trajectory/ies).
    • Did your peer succeeded in acquiring more insight in the ‘vision’ of the participant?
  • Part 3: Drawing from Memory
    • What did his/her image enable you to learn about the place, particularly insights that are distinct from the maps?
    • How does the researcher reflect on the experience of drawing as a tool of remembrance?
    • How well does the visualization function as a tool for recollection of sensorial details and the researcher’s embodied knowledge of the place?
  • Part 4: A View from the Archive/Database
    • Have the selected maps any relevance to historical developments that affected the place?
    • How well has the researcher explored the impact of time and historical events on the organization and meaning of your research site?
    • Give your views on if you think your peer has exhausted the possibilities of gaining insight in the historical dimensions of his/her research-site via archival research of maps?

RPA 1 Peer Review Due date: 7 September

Access your peer’s assignments in the google folder. Read and comment on all peers assigned to the same instructor by 14:00 on 7 September. Use the ‘Suggesting mode’ and ‘Add a comment’ options. Reviewers may also “reply” to particular comments by other students where appropriate. The instructor will add comments by the end of the same day.

When reading your peers’ assignments, prepare feedback on each one. Feedback should consider what are the most interesting points as well as the most confusing. You should also ask any clarification questions that are not obvious from the assignment. What additional points should the student take into account to ensure the feasibility of the project?

Prior to the Supervisory Group meeting, students should review the feedback on their own assignment and consider the best ways to respond to the suggestions.

Proposal Writing Exercise Mark 8 September 12-13h

Following the Seminar, students will be lead through a series of interactive exercises to help them cultivate their research topic and how to develop an effective question to sustain a thesis project.

Multimodal Seminar Mark, Metje, Koen 8 September 9-12h

The Seminar will focus on the notion of Multimodal Anthropology and the way it challenges us to take different ways of knowing seriously. Extending the learning objectives of the tutorial series, the seminar aims to push students to ethnographically learn to know through different modalities. This seminar explores the epistemological potential of recording sensory and embodied features of social experience, but asks how we maintain the ontological status of lived experiences while trying to communicate ethnographic research to both our audiences and our subjects.

We begin with each instructor providing an introduction to their practice as multimodal research-creation. This is meant to provide students with both a diverse understanding of the practices we support and the particular interests and experience of each instructor. Following this session, students will be asked to complete an intake form where they indicate their supervisor preference.

The second half of the session will require students to lead in a discussion of multimodality based on the recorded lectures, assigned readings, and other materials.

Field Study Assignment 1 Due date: 7 September

FSAs should be submitted to Pitch2Peer (P2P) before 18:00!

This first FSA is designed to already introduce you to the many ways that multimodality plays a role in our ethnographic research. By producing a map on your own and with another participate, by drawing from memory and searching the historical archives, you are engaging a range of perspectives. In combination these may have synergistic effects on our ability to produce knowledge. We encourage you to incorporate smartphone map apps into your research, but also use your own research of a place to note inconsistencies.

Please select an accessible and relevant site inside The Netherlands that allows you to train the offered techniques and methods and helps you to think in different ways about your research site. Try to choose a location that is closely related to the topic of your thesis research. You should base all your FSAs at the same location, so choose wisely. Drawings and maps (as with all the FSA studies) should be documented in your journals. Scans or photos of these drawings and maps should be uploaded to P2P when sharing your FSA.

We anticipate this assignment taking you around 3-4 hours (75% in the field, 25% write up & submit). It is important that you get in the regular habit of spending concentrated periods of time on location, meeting people, and exploring new resources. Even if you’re doing digital ethnography, you cannot do most of your fieldwork at home in your armchair! You should allow another hour to complete the peer reviews (20 min per review).

Please read the assignment instructions carefully and completely before visiting your site. You are advised to preview the peer review guidelines so you can best align your efforts with the intended outcomes.

Part 1: Mapping Observation (approx. 30 min.) By applying a cartographic perspective to your field site, the aim of this task is to document the spatial arrangement of the site and better understand the social significance of place.

  • Before setting of to your research-site, please develop a research question that reflects your particular interest in this site as a place. Why does this site interest you and how does it relate to your thesis topic?
  • Once at your site, observe the place from different vantage points. Reconsider your research question and how the space speaks to it.
  • Consider how you will determine the boundaries of your map. This kind of map requires some precision, so measure the distances in any way that is practical and try to use a consistent scale (f.i. 1/100, 1 cm = 1 Meter).
  • Draw a map (bird’s eye perspective) of the most relevant features of the place and the organization of space, but you should be fairly detailed in your rendering.
  • Create an explanatory legend referring to the important ethnographic features of the place and add text on your map as necessary to convey these aspects.
  • Reflect on your research question. How did it affect what you saw and how did what you see challenge your question? What other questions were generated by drawing this map? Reflect on how relevant space and place will be in your research. (max 200 words).

Part 2: Participatory Drawing (20-30 min.) By eliciting a drawing from a local subject, this task affords you the opportunity to situate personal relationships with place and elucidate perspectives that you may not have considered.

  • Recruit someone to collaborate in your mapping task. This may be someone who you met or expressed interest in your own mapping efforts or someone you approach at the site yourself.
  • Ask your subject to draw a map of the site (either on location or from memory if elsewhere during the exercise).
  • Be present whilst s/he draws to (gently) guide their efforts and discuss the outcomes. Make note of how their interpretation differs from your own.
  • Have them add to the map their regular trajectories through the space and ask them to explain the trajectories and features that s/he draws.
  • Have them to imagine a ‘mental map’ by recalling any specific events/memories/meanings connected to this place that are important to him/her.
  • Make notes of these particularities and add them to the map.
  • Reflect in a short text (max 200 words) on what you’ve learned about the meaning of the place from the participant and this methodological process of participatory drawing. Comment on your abilities to communicate with the participant and how drawing may have aided your communication.

Part 3: Drawing from Memory (15 min. on site and 10 min. at home) This exercise is inspired by Andrew Causey’s book Drawn to See: Drawing as an Ethnographic MethodEtude 38 The Memorized Place (p.137). The task is to concentrate your attention and try to memorize as many details as possible, so you can retrieve these later. As Causey suggests, you can “force yourself to remember … by thoughtfully examining” every detail you notice, including “sounds, visuals, smells, people, objects, juxtapositions, poses, lighting, temperature” (136). Intensely observing a place will help you develop your short-term memory and ability to make mental ‘snapshots’ (136) or ‘after drawings’ (56) that you can retrieve when making your fieldnotes.

  • Observe your research site intently for about 15-20 minutes, walk around and view it from different positions.
  • Go home and draw it from memory. Try to imagine it from a ‘normal’—eye-level perspective—as if it is a landscape or draw it in any other creative way. The drawing does not have to be realistic, but it should serve the purpose of a visualization of relevant features of your research-site.
  • Pay attention to your point of view and to colors. You may also indicate sounds and other sensorial detail. It is important that you try to render as much ethnographic detail as you can remember.
  • Reflect on what you’ve learned about your site and your own visual memory by doing this visualization (max 200 words).

Part 4: A View from the Archive/Database (45-90 min.) Your task is to locate some historical maps of your FSA field site. Most municipalities in the Netherlands have their own online archives (and often many off-line archives developed by different institutions exist), but not all maps are digitized.

  • Find online and save as PDF at least 3 maps from different periods in time of your field-study research-site in an online or offline archive or via other sources.
  • Try to visit an archive in person so you can appreciate the materiality of the source materials as well as the infrastructure that preserves them. Make photographs of the maps/documents (be sure to confirm your reproductions rights).
  • Investigate socio-political development of your research-area by identifying the changes in the organization of space, property, naming, etc. How has this space been rendered before, particularly from an official standpoint?
  • Research the historical maps for meta-data: why were they made, by whom, for what purpose, using what material, with what dimensions, etc?
  • Compare the maps that you and your participant drew with these historical documents. What similarities and differences do you notice? What insights and questions are generated in light of the historical context of your field site?
  • In light of these new understandings from the archive, consider how the map apps that we use daily (drawing upon a massively networked database) can be analyzed through the same framework.
  • Reflect whether and in what ways a historical approach to place brought new insights to your research site (max 200 words).

Meta-commentary: All assignments must be accompanied by a brief written reflection (200-300 words max) that provides a ‘meta-commentary’ about the student’s intentions with the assignment’s selection.

Orientation / Introductory Session 1 September 9-12h

Orientation

9:00 — Erik de Maaker, Masters Coordinator, and Cindy Schotte, Study Coordinator, will provide an orientation to the general requirements of the master’s program.

10:00 — Mark Westmoreland, Coordinator of the Visual Ethnography specialization, will introduce students to the VE program and provide an orientation to the course requirements.

Drawing Tutorial

10:30 — The VE team (Mark Westmoreland, Metje Postma, and Koen Suidgeest) will lead students through a series of drawing exercises. This will be the first skill we explore and consider as a technique to both train our vision (and other senses) and get to know our research field.

Drawing can combine text and image as well as facilitate an attunement of your sensory organs; you have to train your eyes and hands to make images, drawing emphasizes this in obvious ways. Mapping is another way to explore the social, cultural and natural environment of our subjects and explore their trajectories in that space.

RDMod1-Mark-drawing

11:00 — Students introduce themselves

11:30 — Coffee & Cookies – informal discussion

Research Proposal Assignment 1 Due date: 4 September

Submit RPA1 to the googledoc folder before 23:59!

Open the linked folder. Access requires that you sign in to Google Drive.

Copy the template document (right-click for the option to ‘Make a copy’). Please do not overwrite the template file. A locked version is also available.

Name your assignment: RPA1-FirstnameSurname

Insert your own text in the newly renamed document. You should delete the instructions in the header and examples after you have read them.

You will be randomly assigned to an instructor group for the first Supervisory Group meeting. Read and comment on all peers assigned to the same instructor using the ‘Suggesting mode’ and ‘Add a comment’ options. Complete this peer feedback by 14:00 on 7 September.

Topic Development

(800-1000 words)

Discuss or answer the following questions:

  • Topic: What topic(s) do you have in mind for your own fieldwork?
  • Location: Where would you like to do this research? Be as specific as possible. Make sure your assignment posits a logical connection between the what and the where of your research.
  • People: Who exactly is your research population?
  • Lived Experience: Describe briefly which specific aspects of the lives of your research subjects, place(s) or thing(s) that you are interested in and (if necessary) also mention which aspects of these people, places or things are beyond the scope of your research.
  • Personal connection: What experiences do you have with topic and location?
  • Reason: Why have you chosen this topic? Why this population/group? (mention several reasons)
  • Access: What is needed to prepare your entry and access to your research? (language, contacts, knowledge of research permit, visa procedures, health insurance, letters of recommendation)

Ethno-Graphics Complete by 8 September

Watch these video lectures

Seminar

Read these texts

MacDougall, David
1998
Visual Anthropology and the Ways of Knowing. In Transcultural Cinema. Princeton University Press, Princeton, pp. 61–92. Link ➙
Hastrup, Kirsten
2004
Getting it right Knowledge and evidence in anthropology. Anthropological Theory 4, 455–472. Link ➙

Watch these videos

  • Looking Back
    Sabina Kariat
    Narration by Reneé Neblett
    animated video, 2:44

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