• Friday 11 October 2019, 13-17h

    Video Tutorial: Ildikó

    Room: SA37

    Equipment Distribution: Mark, Ildikó, Koen, & Max

In the first tutorial of Module 3 we will focus on getting comfortable with your camera, developing your recording discipline, and practicing editing in the camera. With ‘Editing in the camera’ we refer to the skill of applying cinematic principles of editing whilst making shots. Ideally, these shots could be played as a sequence without the need for post-production editing or perhaps with minimal tuning of the edges. Make sure you watch the tutorial video Editing in the Camera before this tutorial session [MAX, perhaps link this. Also, this video needs to be listed in this module (preparations), but is currently in the Pop Up Field School section].

In-Class Exercises

Equipment distribution: Student who are borrowing cameras from the university will receive their kits. Student who have their own cameras should bring them.

Recording discipline in practice: Think about the technical adjustments that you must make each time you make a shot. Practice making these adjustments multiple times in different conditions. You will be practicing these skills whilst doing the in-class exercises and the Field Study Assignment, which will help you develop these adjustments as a routine.

  • Focus/depth of field/hyperfocal distance
  • Aperture/ND filters/Gain/backlight
  • White-balance and Color-temperature and
  • Lens characteristics/zooming/ stabilizer
  • Sound-settings for using the external (Sennheiser) microphone

Editing in the camera: We will perform two modes of in-camera editing by recording different types of shots for different kinds of sequences:

  1. Editing within the shot by choosing and changing frames and camera-positions
  2. Continuity-editing and Non-Continuity Editing and its implicit messages

Each exercise should not exceed the length of 3 min.

During the MiP week you will have methodological training in common ethnographic approaches as well as advanced visual ethnographic methods. Several instructors will offer hands-on lessons on anthropological filmmaking during the week. Students will practice these methodologies in the afternoon and report back on their efforts in the evening.

Day 1 – Monday 14 October 2019
12:00Welcome by IIRE staff, general instructions
12:30Lunch buffet during Plenary Lecture

  • MiP Introductions (Jan)
  • Being a Researcher (Ratna)
  • Cellphone Toolbox (Mark)
13:30Group Session: Preparing Exercises (Mark & Ildiko): Long Takes (Static Camera & Following the Action) & Cultural Inventory
14:00Individual Exercises
17:00Individual Reflection & Planning time: Writing Up Fieldnotes & Planning the Week Ahead
18:00Organization of Practicalities: Settling in, Self-catering
19:00Dinner buffet
20:00Discussion: How to get the most of this week
21:00Consultations: Individual / Small groups (VE film screening: Ildikó & Peter)
Day 2 – Tuesday 15 October 2019
08:00Breakfast buffet
09:30Workshop: (Peter, Mark, & Ildikó):
12:30Individual Exercises: Tracking a Process
16:00Group Session: VE Reflection & Elaboration
18:30Dinner
20:00Interview exercises: Group Activity with VE Students Filming
Day 3: Wednesday 16 October 2019
08:00Breakfast buffet
09:30Plenary Lecture: Ethnographic Interviewing & Character Portraits [Ratna, Mark and Koen]
11:00Individual Exercises: Preparation of Interview
12:00Individual Exercises: Interview on Field Site Location, Write or Film a Character Portrait
17:00Group Sessions: Reflection
18:30Dinner
20:00Film Screening: Koen Suidgeest
Day 4: Thursday 17 October 2019
08:00Breakfast buffet
09:30Plenary lecture: Writing Down / Writing Out / Writing Up [Jan, Ratna]
10:30Group Session: [Koen]
11:30Individual Exercises: VE Students Work on FSA3
Day 5: Friday 18 October 2019 @ PdlC, Leiden
11.15Lecture: How to Avoid Fraud and Plagiarism in the 21st Century (Jan)
12:15Plagiarism test (mandatory)
13:00Free Mandatory Lunch (during which Jan tells about health and body management)
14.30Break/End of programme for MiP and GE
15:00VE: Crit Session (Koen) Room: 0A28

Advanced in-camera editing:

  • Long Take: following the action
  • Long Take: static camera
  • Process (with time-compression)
  • Portrait 
  • Poetic/Analytical Composition 

Modes of engagement with the camera:

  • observational
  • participatory
  • sensorial
  • exploring cognitive worlds
  • subjective

Filmmaking as a wholebody relational practice:

  • Explorations in embodiment
  • Embodying relationship/embodying the camera
  • Film haiku
  • Thinking with the images we make